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Bus Exhibits,
Bus Publishes,
Bus Listens,
Bus Projects

Bus Projects is currently closed.

We will reopen in our new space at the Collingwood Arts Precinct with the ‘Housewarming’ event series starting on Thursday 13th February, 6pm. Our first exhibition opens on Tuesday 3rd March, 6–8pm, with a solo show by Moorina Bonini, and a curated exhibition by Bianca Winata with Yaya Sung and Eugenia Lim. Click through to our current website here.

We look forward to welcoming you to our new gallery in 2020!

Bus Projects acknowledges the traditional custodians of the land on which we operate: the Wurundjeri people and Elders past and present of the Kulin nations.

Bus Projects is supported by the Victorian Government through Creative Victoria and by the Australian Government through the Australia Council, its arts funding and advisory body. Bus Projects' 2017–19 Program is supported by the City of Yarra. Identity, Public Office

Bus Proj–
   ects

Text:

Spencer Lai
"Reading List"

2018

(pdf)


Exhibition:
Spencer Lai
"A smile forms into a grimace mid-slumber as the earth spins— it’s funny, such is the sound of laughter — it is like god’s hands on the shoulders of a troubled world"
31.10.18 — 24.11.18


A reading list of texts, books and articles has been compiled in collaboration with Spencer Lai to accompany their exhibition, 'A smile forms into a grimace mid-slumber as the earth spins— it’s funny, such is the sound of laughter — it is like god’s hands on the shoulders of a troubled world', at Bus Projects as part of the 'With Compliments' series. This resource expands on ideas raised throughout the creation of Spencer’s exhibition, extending the exploration of relationships between artists and their influences across generations and international borders. This reference list explores themes common within Spencer’s practice - the grotesque, identity, gender, sexuality and humor. Also included are texts by the collaborators exhibited within the exhibition; press articles and reviews on Spencer’s previous works; and links to audio/video material that provide reference and further context to the work.

Catalogue:
"Fucky, With Compliments"
Text by Audrey Schmidt

Bertoli, D., Briggs, K., Davila, J., Graf, M., Lowe, G., Newman, E., Riva, J., Sharp, C., Sullivan, E., Taylor, W. (2013). More than what there is, Elizabeth Newman. Melbourne: 3-ply.

Butler, C., Grynsztejn, M., Shiff, R., Siegel, K., Storr, R. (2005).The Art of Richard Tuttle. San Francisco: San Francisco Museum of Modern Art.

Hill, C. (2015). Dissolve Blur gap Blue Grape Space. Geneva: Innen.

Hubbard, L. (2015). Dead Still Standing. Melbourne: West Space.

Krasinski, J., Haq, N., Van Den Abeele, M., De Gruyter, J., Thys, H., Roelstraete, D., Wachtler, P. (2013). OPTIMUNDUS. Antwerp: M HKA, Kunsthalle Wien, and Sternberg Press.

Marten, H. (2013). Untitled. Zurich: JRP|Ringier.

Merz, M. (2017). The Sky is a Great Space. Prestel: Hammer Museum and DelMonico Books. (2012). Bernadette Corporation: 2000 Wasted Years. London: Koenig Books.

Rama, C. (2017). Space Even More Than Time. Verona: ARTBOOK|D. A. P.

Trockel, R. (2015) Untitled. Bregenz: Walther Koenig.

Tuttle, R. (2005) The Art of Richard Tuttle. San Francisco: Museum of Modern Art.

Wilkes, C. (2001). Cathy Wilkes. Glasgow: The Modern Institute.

Wolfson, J. (2012). Jordan Wolfson. Germany: Distanz.

Wolfson, J. (2013. Ecce Homo / Le Poseur. Los Angeles: REDCAT.

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