×
October 2021
Sun
Mon
Tue
Wed
Thu
Fri
Sat
1

2

3

4

5

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
6

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
7

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
8

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
9

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
10

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
11

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
12

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
13

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
14

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
15

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
16

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
17

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
18

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
19

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
20

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
21

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
22

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
23

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
24

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
25

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
26

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
27

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
28

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
29

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
30

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
31

12am PROGRAM 7 - Tamsen Hopkinson + Elyse Goldfinch
(0)

Cart.

Qty. Item Subtotal
Total 0.00
(Close)

Bus
Projects

35 Johnston st,
Collingwood
VIC 3066 AUST.

Opening Hours
12–6PM TUE–FRI
12–4PM SAT

FB, TW, IG.

Exhibits,

Lilium Burrow A Loud Cellophane

Opening: Wednesday 14 March, 6–8pm Dates: 14 March - 7 April 2018

The works in ‘A Loud Cellophane’ are imitations of themselves, copies mimicking their original form. Made through a process of digital deconstruction and physical reconstruction, their materiality has changed, but their image remains the same. The imitations are deceptive, sometimes being shown alongside their original, and other times not, making it hard to ascertain what is the copy. The materials (silk, florist paper, delicate fabrics) are unapologetically feminine, and all vary in texture, weight, sharpness and colour.

With reference to the Paradox of Theseus’s Ship, if some or all parts of the original have been reconstruction or replaced, but the function and appearance is still the same, then at what point does the original become the copy itself?

Lilium Burrow is a multi-disciplinary artist living and working in Sydney with a process-based practice of relaying domestic materials and fabrics (towels, bed linen, florist paper) between digital and non-digital forms. With a process of digital deconstruction (scanning and editing) and physical reconstruction (printing and painting), her work seeks to deceive and confuse the observer, challenging what is seen as the ‘real’ and the ‘copy’.

Photography by Christo Crocker.