Bus Exhibits,
Bus Publishes,
Bus Listens,
Bus Projects

Bus Projects is currently closed.

We will reopen in our new space at the Collingwood Arts Precinct in March with our first round of exhibitions, a solo show by Moorina Bonini, a curated exhibition by Bianca Winata with Yaya Sung and Eugenia Lim, alongside the ‘Housewarming’ event series. Click through to our current website here.

We look forward to welcoming you to our new gallery in 2020!

Bus Projects acknowledges the traditional custodians of the land on which we operate: the Wurundjeri people and Elders past and present of the Kulin nations.

Bus Projects is supported by the Victorian Government through Creative Victoria and by the Australian Government through the Australia Council, its arts funding and advisory body. Bus Projects' 2017–19 Program is supported by the City of Yarra. Identity, Public Office

Bus Proj–


"Brown Stagemaker"
Joseph Breikers

Opening: Wednesday 6 November, 6-8pm
Dates: 6-23 November 2013

Any self-respecting BMX rider with their finger on the pulse of cycling courtier will, at present, find great pleasure in the donning of a swish pair of shin-high striped tube socks. Joseph Breikers is one such BMX rider. Some would argue that his fingers are so firmly on the pulse that they have breached the epidermal layer and are now happily twiddling around in a fetid mess of blood and tendons. Others would say that he has no pulse at all, let alone fingers with which to seek one out. Nevertheless, these socks (with their height and horizontal stripes) are a most elegant way of hiding that ugly map of pedal scars, while making the wearer’s calves appear that slight bit bigger. HAILS!

Joseph Breikers completed a Masters in Arts (Research at the Queensland University of Technology in 2012. He is an artist and founding member of Boxcopy artist-run initiative. Joseph was awarded an Arts Queensland Career Development grant in 2011, to undertake a residency in Skagaströnd, Iceland. Key exhibitions and projects include, 'Fresh Cut' 2013: Part 1 (Institute of Modern Art, 2013), 'Night of Terror I: 3 Hours of Heavy Metal and Demonic Ales' (Scratch Bar, 2012), 'Go Kill Everybody and Come Back Alone' (First Draft, 2012), 'Qaphqa' (Ryan Renshaw, 2011), 'Regards, the Pit' (Metro Arts, 2011), and 'Acoustic and Luminous Effects' (DB Projects, 2010, curated by Amanda Rowell).

This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.