×
April 2021
Sun
Mon
Tue
Wed
Thu
Fri
Sat
1

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
2

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
3

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
4

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
5

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
6

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
7

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
8

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
9

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
10

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
11

12am Exhibition - Jemi Gale curated show + Carly Fisher and Edwina Stevens
12

13

14

15

16

17

18

19

20

12am Exhibition - Notions of Care
21

12am Exhibition - Notions of Care
22

12am Exhibition - Notions of Care
23

12am Exhibition - Notions of Care
24

12am Exhibition - Notions of Care
25

12am Exhibition - Notions of Care
26

12am Exhibition - Notions of Care
27

12am Exhibition - Notions of Care
28

12am Exhibition - Notions of Care
29

12am Exhibition - Notions of Care
30

12am Exhibition - Notions of Care
(0)

Cart.

Qty. Item Subtotal
Total 0.00
(Close)

Bus
Projects

35 Johnston st,
Collingwood
VIC 3066 AUST.

Opening Hours
12–6PM TUE–FRI
10AM–4PM SAT

FB, TW, IG.

Engages,

Christo Crocker, G-Eunuch, Nathan Gray, Salmon Barrel Bus Projects at Meyers Place

Opening: Sunday 20 January, 3-9pm Dates: Sunday 20 January 2013

As part of Bus Projects Summer Series, on Sunday 20 January, 3-9pm, Meyers Place Bar will host an art event featuring new work by Christo Crocker, as well as DJ sets by artists G-Eunuch (aka Christopher LG Hill), Nathan Gray and Salmon Barrel (Simon Barry). Meyers Place will generously donate all proceeds from the bar to help raise funds for the renovation of BUS Projects’ new space at Rokeby Street.

Christo Crocker’s practice consists of site-specific interventions and happenings. His temporally and perceptually motivated works explore and dissect the’ decisive moment’. Crocker imposes an inherent risk upon the material, objects and the spaces he engages, challenging a predetermined success and highlighting the inherent performative potential of any space. Extending upon this context-based practice, Crocker implicates the perception of the viewer, and the subsequent ‘here say’ derived, as the content of each work.