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Days of our lives, Presenter name
Each Tuesdays, 2-3pm
Ambient Experimental
Dissemination is a lens, Presenter name
Tues-Sat, 12-1pm, 2020
Ambient Experimental
Terrestrial Sounds, Presenter name
Ambient Experimental
Gertrude Talks, Presenter name
1-2pm, 25 April 2020
Ambient Experimental
×
September 2020
Sun
Mon
Tue
Wed
Thu
Fri
Sat
1

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
2pm Bus Radio: Days of our Lives
2

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
2pm Bus Radio: Days of our Lives
3

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
1pm Bus Radio: The way we live now
2pm Bus Radio: Days of our Lives
4

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
2pm Bus Radio: Days of our Lives
5

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
2pm Bus Radio: Days of our Lives
6

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
7

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
8

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
2pm Bus Radio: Days of our Lives
9

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
2pm Bus Radio: Days of our Lives
10

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
1pm Bus Radio: The way we live now
2pm Bus Radio: Days of our Lives
11

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
2pm Bus Radio: Days of our Lives
12

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
2pm Bus Radio: Days of our Lives
13

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
14

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
15

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
2pm Bus Radio: Days of our Lives
16

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
2pm Bus Radio: Days of our Lives
17

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
1pm Bus Radio: The way we live now
2pm Bus Radio: Days of our Lives
18

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
2pm Bus Radio: Days of our Lives
19

12am gallery closed for restoration
Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
2pm Bus Radio: Days of our Lives
20

Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
21

22

12am installation
2pm Bus Radio: Days of our Lives
23

12am installation
2pm Bus Radio: Days of our Lives
24

12am installation
1pm Bus Radio: The way we live now
2pm Bus Radio: Days of our Lives
25

12am installation
2pm Bus Radio: Days of our Lives
26

12am installation
2pm Bus Radio: Days of our Lives
27

28

29

12am Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
2pm Bus Radio: Days of our Lives
30

12am Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
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Bus
Projects

35 Johnston st,
Collingwood
VIC 3066 AUST.

Opening Hours
12–6PM TUE–FRI
10AM–4PM SAT

FB, TW, IG.

Exhibits,

Jo Scicluna From a Slow Dark Light

Opening: Tuesday 2 December, 6-8pm Dates: 2-20 December 2003

Text from: http://www.joscicluna.com/

“I am a Melbourne-based artist that has exhibited locally and internationally. I exhibit within various realms: the gallery and public contexts and work with photography, video, sculpture and installation.

I have always been dissatisfied with photography’s inextricable link with the past. My interest in photography is not motivated by the accumulation of documents, but rather in the medium’s intrinsic relationship to phenomena.

The photographic image is a pliable component of my spatial practice: an object whose material condition holds much conceptual potential. The relationship between the photograph, the sculptural act and the exhibiting space is an active process. I aim to implicate these elements into the language of landscape and explore the conceptual and phenomenological scope of this relationship.

I apply this attitude to the photographic medium, along with a series of process and events to explore, magnify and reveal the subtle historical and elemental mechanisms of place.

I also investigate the transposition of ‘photographic’ principles into other media, materials or spatial outcomes. This process is often informed by site specific language and is seen as another means to translate place.

I am the co-founder and coordinator of the ‘practice-led’ exhibiting space called ‘The Other Side’ situated at Paul Morgan Architect’s Design Studio in Melbourne. The primary aim of the space is to establish an art and architecture dialogue and a forum for the exchange of ideas concerning spatial and site responsive practice. The space also aims to introduce the work of artists to architectural clients. The Other Side is a non-commercial venture.

My art practice strongly informs my teaching practice in art and design. I have lectured extensively in studio practice, photographic discourse, public art, professional development, art history, and many design studio projects in interior and landscape architecture. I have also been invited to discuss my practice and the principles informing my work within the gallery, university and TAFE sectors locally and internationally.”

Real Time Review:
http://www.realtimearts.net/article/issue59/7358