Bus Exhibits,
Bus Publishes,
Bus Listens,
Bus Projects

Bus Projects is currently closed.

We will reopen in our new space at the Collingwood Arts Precinct with the ‘Housewarming’ event series starting on Thursday 13th February, 6pm. Our first exhibition opens on Tuesday 3rd March, 6–8pm, with a solo show by Moorina Bonini, and a curated exhibition by Bianca Winata with Yaya Sung and Eugenia Lim. Click through to our current website here.

We look forward to welcoming you to our new gallery in 2020!

Bus Projects acknowledges the traditional custodians of the land on which we operate: the Wurundjeri people and Elders past and present of the Kulin nations.

Bus Projects is supported by the Victorian Government through Creative Victoria and by the Australian Government through the Australia Council, its arts funding and advisory body. Bus Projects' 2017–19 Program is supported by the City of Yarra. Identity, Public Office

Bus Proj–


"Kraken: sixty six emails, a face and a gesture"
Chris Bond

Opening: Wednesday 2 September, 6-8pm
Dates: 2-19 September 2015


In late 2014 Bond invented a Norwegian artist named Tor Rasmussen (also known as Kraken), who came to stay at his house for a six week domestic residency. During this time he caused significant upheaval, documented through photography, video, and textual correspondence. Bond plays Kraken, the residency program manager Julie Redfern, as well as a version of himself, simultaneously dissolving and expanding the self. Primary motivation for assuming these personae lies in the possibility of using channelled, imagined forces to break self-conditioned responses to ideas and materials, and imagine new ways of being, acting and making.

Chris Bond’s practice involves the invention and embodiment of fictional artists, writers, organisations and scenarios that assist with the creative act. In his painting practice, the process finds an end in the form of painted facsimiles of imagined books, magazines, exhibition catalogues and correspondence. Within institutional settings, his installations adopt the conventions of museum display to convey unlikely, often fantastic narratives. In each of these forms, Bond combines identity fabrication and closely-worked detail in order to play with knowledge and perception.

Bond studied Fine Art at RMIT in the mid-1990s and has exhibited since 2000. He undertook a studio residency at Gertrude Contemporary Art Spaces in 2001, and has since featured in numerous group and solo exhibitions, including being selected for ACCA’s annual New exhibition in 2008. Over the past decade he has been included in curated exhibitions at Kings ARI, Linden Gallery, Gertrude Contemporary Art Spaces, Blindside, Centre for Contemporary Photography, Bus, Heide Museum of Modern Art, National Gallery of Victoria, and Museum of Contemporary Art, Sydney. In 2013, he was awarded the Arthur Guy Memorial Painting Prize. He is a candidate for a Master of Fine Arts (Visual Art) postgraduate degree at the Victorian College of the Arts, and is the recipient of an Australian Postgraduate Award. He lives and works in Melbourne.