Bus Exhibits,
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Bus Projects

Bus Projects is currently closed.

We will reopen in our new space at the Collingwood Arts Precinct in March with our first round of exhibitions, a solo show by Moorina Bonini, a curated exhibition by Bianca Winata with Yaya Sung and Eugenia Lim, alongside the ‘Housewarming’ event series. Click through to our current website here.

We look forward to welcoming you to our new gallery in 2020!

Bus Projects acknowledges the traditional custodians of the land on which we operate: the Wurundjeri people and Elders past and present of the Kulin nations.

Bus Projects is supported by the Victorian Government through Creative Victoria and by the Australian Government through the Australia Council, its arts funding and advisory body. Bus Projects' 2017–19 Program is supported by the City of Yarra. Identity, Public Office

Bus Proj–


"Light As Object"
Michael Georgetti

Opening: Thursday 18 October, 6-8pm
Dates: 16 October-3 November 2007

This dialogue between real and pictorial space aims to survey the objective behaviour of light in a literal sense.

The work is made from painted cardboard boxes placed casually on top of remote-control cars, which perform different functions in a studio environment. I am using these forms to animate the play of light and colour in the shifting relationship between the actual and the representational. This allows the mobile object to become a type of moving colour field behind the frame of the camera screen. In some instances these moving boxes become the instrument used to paint. I want to make a “moving painting”, and this depends on the moveable object’s navigations through space.

I believe it is important that these objects, and the way they are co-ordinated, reflect and reveal the time, place and culture in which they were manufactured. The mass-produced object (i.e. the remote control car, an electronic toy) inherent in today’s popular culture is one of the tools I use for animating light, colour and paint.

‘I use classic forms often made from commonplace materials (cardboard, tape, paper and canvas) to create colour-fields in a dialogue between real and pictorial space. I try to activate space theatrically, where colours can play a character in a staged narrative. I often incorporate a material into the work that brings object-ness to my paintings and at the same time preserves its two-dimensionality. The margins of the camera screen and the flatness of the image that it provides in my work allows real space to act as a metaphorical picture-plane where all moving objects within it can become paintings.

My work is directed frequently through de-materialising the object and keeping in flux the dialogue between the sculptural and the pictorial. The “pushing and pulling” that occurs between a colour and its complimentary often relies on mobile forms to do so.’ (M.Georgetti 2007)