Bus Exhibits,
Bus Publishes,
Bus Listens,
Bus Projects

Bus Projects is currently closed.

We will reopen in our new space at the Collingwood Arts Precinct in March with our first round of exhibitions, a solo show by Moorina Bonini, a curated exhibition by Bianca Winata with Yaya Sung and Eugenia Lim, alongside the ‘Housewarming’ event series. Click through to our current website here.

We look forward to welcoming you to our new gallery in 2020!

Bus Projects acknowledges the traditional custodians of the land on which we operate: the Wurundjeri people and Elders past and present of the Kulin nations.

Bus Projects is supported by the Victorian Government through Creative Victoria and by the Australian Government through the Australia Council, its arts funding and advisory body. Bus Projects' 2017–19 Program is supported by the City of Yarra. Identity, Public Office

Bus Proj–


"Music Video 4"
Fabio Umberto, J., Matthew Philip Hopkins
Curated by: Harriet Kate Morgan

Opening: Saturday 4 April, 7pm
Dates: Saturday 4 April 2015

Fabio Umberto is the Italo-Disco project and alter-ego of Jake Glas who describes his own, or perhaps Umberto’s music as being ‘deep beyond the furthest reaches of the universe, resonating the otherworldly voice of a distant star. Its light long lost to time shines on in an almost human visage, a pulsing audial anomaly, a flying disco saucer. Witness the visitations of the voice beyond that is – Fabio Umberto’. SOUNDCLOUD

a, b, c, d, e, f, g, h, i, J.
J. is the new solo work of Jarrod Oliver Zlatic, member of Fabulous Diamonds, Free Choice and Mud Brick Couch.

Self-titled performer Matthew Philip Hopkins uses a myriad of instruments and approaches to construct strange, disturbing and minimal soundscapes reflecting moods of unhinged solitude and minimalism that results in an audio collage. Matthew P Hopkins has established himself as a formidable presence in the experimental circuit over the last 10 years courtesy of a diverse range of projects including Naked on the Vague, Vincent Over the Sink, The Bowles, Four Door, Half High and numerous other collaborations. Hopkins’ solo work presents an awry ambience; transcendental propositions bathing in perverse transitions, inhuman vocals and a singular audio perspective where spacious room recordings weave amongst crude studies in direct input. SOUNDCLOUD.

This event is supported by Mountain Goat Beer.