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November 2020
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12am deinstall/installation
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12am deinstall/installation
1pm Bus Radio: The way we live now
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deinstall/installation
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
1pm Bus Radio: The way we live now
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
20

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
25

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
27

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
28

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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Bus
Projects

35 Johnston st,
Collingwood
VIC 3066 AUST.

Opening Hours
12–6PM TUE–FRI
10AM–4PM SAT

FB, TW, IG.

Exhibits,

George Papadimas, Barton Price Revolving Around a Fixed Central Point (fibonacci), Beginning at One

Opening: Tuesday 2 December, 6-8pm Dates: 2-20 December 2003

George Papadimas:

My intention has been to create a body of work that is free, as much as possible from the arbitrary qualities that art construction / production can seem to hold. This cancellation of freedom has led me to evolve a body of work based on strict methodologies. What results is a following through of a predefined process, which illustrates an inter-related network of stages.

As a visual artist can I make these analogies more universally accessible by using colour / shape / composition to represent them? I am not trying to create a specific style of work from the start point of conception, but wanting the predefined process to govern what is created. These aspects simultaneously contradict and confirm aspects of co-dependency within a given situation.

http://www.georgepapadimas.com/