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November 2020
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1

12am Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
2

3

12am deinstall/installation
4

12am deinstall/installation
5

12am deinstall/installation
1pm Bus Radio: The way we live now
6

12am deinstall/installation
7

12am deinstall/installation
8

deinstall/installation
9

10

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
11

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
12

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
1pm Bus Radio: The way we live now
13

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
14

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
15

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
16

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
17

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
18

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
19

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
20

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
21

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
22

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
23

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
24

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
25

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
26

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
27

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
28

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
29

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
30

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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Bus
Projects

35 Johnston st,
Collingwood
VIC 3066 AUST.

Opening Hours
12–6PM TUE–FRI
10AM–4PM SAT

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Exhibits,

Snack Syndicate Supply Chain

Opening: Tuesday 1 June, 2021 Dates: 1 June - 3 July, 2021

In the last few years ‘gender reveal’ parties have become an increasingly popular milestone for expecting parents. These parties, which are often documented and published on public video sharing platforms and social media accounts, are designed to announce the ‘gender’ of the unborn child. One sub-genre of the reveal involves the detonation of a target (known as a binary bomb since it combines two ingredients which on their own are not explosive) and the release of smoke bombs made from blue- or pink-dyed cornstarch.

This exhibition takes the binary bomb gender reveal as a point of departure. It considers the entanglements of social, national, military, industrial signifiers that produce the ‘reveal’ and reads the spectacular ceremony as the first instance of a long process of the sexed subject’s becoming – a process that begins before birth and that is reinscribed constantly by the logics of racial capitalism and its world-making project. Drawing on a wide range of visual and critical references – the history of accumulation, expropriation, and dispossession; the commodity and the marketplace; the first-person shooter game and its narrative structures; drone-shot aerial view and its machinic vision – the video examines how reproduction can be read as the site of violence (as the world is made again and again in the image of the capital relation) and the site of resistance and survival (in networks of care, in the face of death, and against all odds).

Snack Syndicate, two rats (Andrew Brooks and Astrid Lorange); text or video or sound or objects.

bodies, psychochemical territories, big and little pharma, big and little data, big and little resistances, intimacy or care, wobbles, systems, gossip, study and planning, debt, crumbs.