Bus Exhibits,
Bus Publishes,
Bus Listens,
Bus Projects

Bus Projects is currently closed.

We will reopen in our new space at the Collingwood Arts Precinct in March with our first round of exhibitions, a solo show by Moorina Bonini, a curated exhibition by Bianca Winata with Yaya Sung and Eugenia Lim, alongside the ‘Housewarming’ event series. Click through to our current website here.

We look forward to welcoming you to our new gallery in 2020!

Bus Projects acknowledges the traditional custodians of the land on which we operate: the Wurundjeri people and Elders past and present of the Kulin nations.

Bus Projects is supported by the Victorian Government through Creative Victoria and by the Australian Government through the Australia Council, its arts funding and advisory body. Bus Projects' 2017–19 Program is supported by the City of Yarra. Identity, Public Office

Bus Proj–


"Sound Park"
Danae Valenza

Opening: Wednesday 6 November, 6-8pm
Dates: 6-23 November 2013

'Sound Park' is an instructional sound piece that experiments with the composition of music through movement.

Five wandering instrumentalists improvise to a static drummer’s beat as they navigate individual paths through a pine forest. Without words or prior introduction, each musician’s journey contributes to a collective musical outcome.

Weaving in and out of each others earshot, six separate routes are documented and synchronised in to one composition.

Performed and recorded in Delsjön Naturreservat, Gothenburg, Sweden

Performers: Thea Åslund (Violin), Fredrik Brändströmm (Piano Accordion), Erik Fastén (Drums), Isak Hedtjärn (Clarinet), Hampus Petterson (Nyckelharpa) and Per Svensson (Guitar).

Videographers: Malin Johansson and Nadia Endler
Sound: Henrik Alsér
Production Assistant: Simon McGuinness

Danae Valenza is a multidisciplinary artist from Melbourne, graduating with a BFA (Honours) from Monash University in 2010 where she received the Linden Contemporary Innovators Award. Her work often involves musicians and creating situations where the audience are able to glimpse upon a momentary release of performativity to make way for a closer investigation of individual contributions of creativity toward a collective outcome.

This project has been made possible through the Australia Council JUMP Mentoring Initiative.