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November 2020
Sun
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1

12am Exhibition - Martina Copley and Lou Hubbard + Carly Fischer and Edwina Stevens
2

3

12am deinstall/installation
4

12am deinstall/installation
5

12am deinstall/installation
1pm Bus Radio: The way we live now
6

12am deinstall/installation
7

12am deinstall/installation
8

deinstall/installation
9

10

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
11

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
12

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
1pm Bus Radio: The way we live now
13

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
14

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
15

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
16

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
17

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
18

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
19

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
20

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
21

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
22

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
23

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
24

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
25

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
26

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
27

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
28

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
29

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
30

12am Exhibition - Madeline Bishop + Amy Spiers and Grace McQuilten
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Bus
Projects

35 Johnston st,
Collingwood
VIC 3066 AUST.

Opening Hours
12–6PM TUE–FRI
10AM–4PM SAT

FB, TW, IG.

Engages,

Garry Loughlin, Bus TV The Clearing House

Dates: Wednesday 1 July

View Wednesday 1 July, 7pm: youtu.be/2RgRZCcxF28

In September 1983, a Russian diplomat by the name of Victor Lipassov and his wife Evdokia were expelled from Ireland. Lipassov was working in the Russian Embassy in Dublin, and it was believed that he was involved in activities deemed unacceptable for a diplomat working in a guest country. Very little information was released in regards to what such activities entailed, but this did not stop the speculation from political parties and the media.

The Lipassovs’ expulsion led to the unearthing of a somewhat hidden truth. It revealed the presence of a border cutting through four counties in the Republic of Ireland. This border, unknown to the general public, marked a 25km radius of which Soviet diplomats could not travel outside without requesting permission from the Irish authorities. This travel restriction had been imposed at the request of the British government, as they feared that the presence of Soviet officials in Ireland would be a threat to their national security. Ireland being considered a neutral country meant there was a low level of surveillance compared to other countries in the EEC, making it a prime location for transferring information undetected. The free travel between Ireland and the UK also left open many avenues for information to pass through before making its way to Moscow.

Recording a journey along the outskirts of this 25km radius, The Clearing House explores the use of invisible borders as an attempt to gain territorial control. While searching for hints of the border’s presence, it also casts light upon the insignificance of such lines to those with power.

This imagery made around the border is interwoven with a narrative tracing the activities of the Lipassovs’ time in Ireland. In drawing assortedly from official documents, newspaper headlines and local hearsay, The Clearing House investigates the role that speculation plays in the absence of evidence, interrogating its role as ‘a tool of the powerless’.

I am a lens based artist whose work is research driven, incorporating photography, writing and archival material. My interests lie in the use of power, and the control of narratives and territories by those with that power. I am driven by unearthing micro-histories and the discovery of elements that can link series of events that might initially seem isolated. Working primarily with photography allows me to employ the language of documentary to challenge the perceived authority of the indexical image and its role in the distribution of history. Using original photographs alongside archival elements engenders a visually fragmentary approach reflecting the complex and often emotionally complicated narratives I wish to convey.

My work can meet its audience in various formats and I am increasingly interested in formats which relate to or challenge notions of objective truth, such as publications and performance lectures.

I hold a MA in Documentary Photography from University of South Wales. I am one of the photographers selected as Irish FUTURES Talents 2020. In 2019 I exhibited my latest body of work The Clearing House in Test Space at Spike Island, Bristol. I am the author of two self-published monographs; Between Spaces (2014) and A farewell to Arms (2016). My work has been exhibited in a number of exhibitions throughout Ireland, Europe and the UK.