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Projects

GF, 7 Ltl. Miller St
Brunswick East,
VIC 3057 AUS

Opening Hours

Thurs–Fri 12–5pm
Sat 10–2pm
or by appointment

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Exhibits,

Sophie Coe us as stars, as horses

Opening: Wednesday 3 June 6-8pm Dates: 6 June - 28 June

Beauty is sold as empowerment, but commodifying the female body enforces social
control, limiting agency and self-actualisation. Sophie Coe’s practice demonstrates
how beauty operates as both a farce and a site of inquiry, revealing the emotional,
cognitive, and social costs of aesthetic ideals. I urge viewers to consider whose
standards they perform and how reclaiming attention from beauty culture can foster
agency, change, and self-determined goals. In collaboration with Kamilaroi curator
Tabitha Glanville, the pair cultivate a space of joy, tenderness, and mutual recognition.
A site shaped as much by artistic practice as by the deep friendship that sustains it.
The star cluster known by western knowledge as the Pleiades is understood by
Kamilaroi people as miyay‐miyay, meaning group of girls. This constellation is a
gathering place, a story of sisters, a reminder of the protective and luminous force of
women moving together. Coe and Glanville centre this knowledge as a portal for
healing, kinship, and return. ‘Us as stars, as horses’ draws these threads into a shared
horizon. Velvet, warm light, and punching colour create an atmosphere of safety, an
invitation to step inside the quiet power of women’s love, care, and interdependence.
The exhibition becomes a constellation in its own right, both artists orbiting one
another, holding space through grief, through change, through the everyday work of
staying alive and staying connected.
Kinship is not an aside, it is a methodology. These bodies of work are the trace of that
friendship, glowing like stars that have always known how to find each other in the
dark.

Sophie Coe is an emerging artist living and
working in lutruwita/Tasmania. She completed
her Honours in Fine Art at the University of
Tasmania in 2025, earning First Class Honours,
where she developed an autoethnographic
approach to contemporary painting. Her Honours
project, Best in Show, uses horses as proxies for
women shaped by beauty standards, exploring
how the commodification of the female body
functions as a system of social control. Through
this research, Sophie has established an ongoing
inquiry into the tension between surface
aesthetics and the internal pressures that
influence women’s lives, grounding her practice
in feminist analysis and reflective studio work.

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