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Alasdair McLuckie
"Cartoon 02"
Edition of 5 + 1 AP, Archival inkjet print on Hahnemuhle Photo Rag Baryta

Alasdair McLuckie’s practice adopts meticulous process to explore the mythology, history, and ritual of making. Utilising drawing and craft with a strong formalist aesthetic sensibility, each work’s attention to detail translates into a dense visually symbolic language that expresses the infinite possibilities of creation.
Alasdair McLuckie graduated from the Victorian College of the Arts, Melbourne with a Bachelor of Fine Art in 2007. He is represented by Murray White Room, Melbourne and Mothers Tankstation, Dublin.

Solo exhibitions include 'The Birth of Form', Mothers Tankstation Limited, Dublin, 2017; 'Doubles', Ideas Platform, Artspace, Sydney; 'Jungle Paintings', Murray White Room, Melbourne; 'Moods', The Young, Wellington, 2016; 'Nine Times Modern Man and Moon', Siegfried Contemporary, London; 'House of Joy/Hello Ladies', Chapter House Lane, Melbourne; 'Alasdair McLuckie', with Mothers Tankstation, Liste, Basel, 2015.

Group exhibitions include 'Sappers and Shrapnel', Art Gallery of South Australia, Adelaide, 2016; 'So far', Ten Cubed, Melbourne; 'Percy Grainger: In the Company of Strangers', The Gallery at Bayside Arts & Cultural Centre, Melbourne, 2015; 'Five Perspectives', The Young, Wellington; In Free Circulation, Mothers Tankstation, Dublin, 2014; 'Melbourne Now', National Gallery of Victoria, Melbourne; 'Future Primitive', Heide Museum, Melbourne.

Alasdair McLuckie is represented by Murray White Room, Melbourne and Mother’s Tankstation, Dublin.