Bus Projects is an artist-run organisation dedicated to supporting the critical, conceptual and interdisciplinary practices of Australian artists. In addition to its core gallery-based program of exhibitions, events and residencies, Bus Projects collaborates with a range of artists and arts organisations to produce projects off-site and within the public realm.
After seventeen years of operation, Bus Projects is one of the longest running artist-run initiatives (ARIs) in Melbourne and has made a significant contribution to the vibrancy and diversity of the city’s arts culture.
Founded as Bus by Tim O’Donoghue, Kade McDonald, David Sutton, John Karatzas, and Chris Johnson in 2001, it was originally located at 117 Little Lonsdale St. Bus began as a design collective whose members held a shared interest in art. The gallery had three exhibition spaces known as the Skinny Gallery, Main Gallery and the Sound Gallery. It also had a project space that hosted artist residencies and performances by such bands as My Disco, Fabulous Diamonds, True Radical Miracle, Snawklor, Pummel, Night Terrors, Stabs, Kes, Oren Ambachi, Anthony Pataras, Robin Fox, and Ben Frost.
In 2007, the artist, Claire Mooney replaced Tim O’Donoghue as the gallery director and in February 2008, Bus incorporated and became officially known as Bus Gallery Inc. In November 2008, the artist Tim Webster became the gallery director and in December 2008, Bus Gallery Inc. formally changed its name to Bus Projects in order to reflect the group’s focus on spatial arts practice. In 2009, a new exhibition space dedicated to video projections was opened in the renovated stairwell of the building. Throughout 2009, Bus Projects was also home to the Sunshine and Grease, operated by Patrick O’Brien.
In January 2010, Bus Projects was notified of the building owner’s intention to redevelop the site. In March 2010, Bus Projects moved out of the building at 117 Little Lonsdale Street. Throughout 2010, Bus Projects presented a series of off-site events, including The Sound Playground and Play With Your Food in conjunction with other arts groups until relocating to Donkey Wheel House in early 2011.
In 2013 the organisation relocated to new gallery premises in Collingwood. The new site, located on the ground floor of 25 – 31 Rokeby Street, Collingwood, is housed within a former paint factory that has been transformed and redesigned by John Wardle Architects.
Zoë Bastin, Georgia Banks, James NguyenQueer(y)ing Creative Practice
Claudia PharesSharing is Caring - Virtual Dinner Edition
‘Sharing is Caring - Virtual Dinner Edition’
Through her practice, Claudia Phares researches strategies to maintain her art practice whilst simultaneously raising children. Hosting a dinner online is a socially-engaged event that aims to create a sense of community through sharing food. In light of the self-isolation we’re subjected to, we realise our vulnerability. We can try to alleviate the sense of powerlessness by sharing what we can.
Hosted by Claudia Phares and her young family, ‘Sharing is Caring’ is an online communal dinner. Through virtual interaction, this unique experience aims to reinvent the concept of a communal dinner in this new world we are living in. Run through the platform Jitsi, we welcome all families and community members to join in the process of eating, talking, and sharing a meal.
So that we can all share and eat the same meal, Claudia will share online the recipe for a lentil soup used for the communal dinner a week before the event. This recipe is simple to prepare and can be adapted to most dietary needs.
Hosted by Bus Projects and Liquid ArchitectureCollective-Kolektif: an Indonesia-Australia dialogue on artist collectives
‘Collective-Kolektif’ hosts Indonesian collectives including KUNCI Cultural Studies Center, Ace House, OMNI space, Ruang MES 56, and ruangrupa; alongside Melbourne-based groups Her Africa Is Real, Hyphenated Projects, eleven-collective, and Sound School, with more to be announced.
Archie Barry will present a thread of curated readings from their diary entries written between 1999 and 2019, laced together with excerpts of affect theory, linguistics and existential philosophy. Polyvocal and correlative, the presentation searches for ramified language that could function (or dysfunction) to touch the perpetual flux of personhood.
Please join us on Saturday 30 November from 2 - 4pm for ‘The Design Plot’. This will be the final event at Bus Projects’ current Rokeby st site. ‘The Design Plot’ is helping us say goodbye to our site that we have occupied since 2013 before we move into our new site at CAP in 2020.