Anau: Tamā’ine
Exhibits,
UpcomingCurrently
Archive
Anau: Tamā’ine
Angkor Hangover Photography Screening
Artist Advisory Committee
Friend/free (to love)
2026 Open Call
Mnemonic Generator
I Am Thai and You Are Vietnamese
8th Editions Exhibition
ḡaumaḡauma (act of taming, recognition of the bloodline)
Sea-Skins 海皮
the way a stranger looks
2025 Program Announcement
Bus Projects summer closure, reopening in 2025
Bus Projects farewells Artistic Director, Sophia Cai
Performance Takeover
MCMI-MM
FOR FREEDOM
residual heat
green grass within
TELLDRILL
Open Call 2025
HIVE / HANDS
Sting!
Te Mamaeroa
Bus Stop: Full catalogue of works available now
Bus Stop: Artwork Raffle
Bus Stop Full Program Announcement & Artist List
Announcing our 2024 Fundraiser: Bus Stop
Re-Humanising Through Sense
I want to fall in love with the world, I want the world to fall in love
Tashabok
Sonic Travellers
To the boy I love
A woman’s right to make poor choices
Announcing Bus Projects’ New Board Members
Sky
There are terrestrial landscapes on my bed
Love Song
Shrine to the childhood friendships we wish we had
Warm Water
Join the Bus Projects team as Gallery Coordinator & Technician
pocket flood drop,
Syzygy
Crush Fever
Rust Belt
Absolute pixie dust, Yam I am
Workaround
2024 Program Announcement
Seeing In
Ceasefire Now!
Crying to Patsy Cline
With energy stolen from the bohemians who decorate the room
2023 Fundraiser Exhibition
Join the Bus Projects Team as our new Artistic Director!
Bus Projects is thrilled to announce Sophia Cai as our new Artistic Director
Bus Projects is moving to Brunswick East!
Support Bus Projects
Bus Projects: The Next Chapter
End-of-year celebration, featuring a performance by Kelping (Lichen Kelp and Dylan Martorell)
Tree Log Paper Book
Splendor Soils
IRBELA: turn into transcendence
My Mother’s Tongue
Night of the Thylacine
Home
To touch or strike a fondant ground [north proposition]
Do you like it here?
some things to throw away
AT ARM’S LENGTH
Strong I Am
Ruminations on the body (Bussy) of Christ
Wanangaranytja Malangka | After Lightning
The Stand Ups
Limits and Leavings
Tributary Project
My Lunch with Sanja
In Memory
The Hermit
Rewriting: the politics of care
Tributary Project
Documentary Meets
Covid Drawings - Artist Book Launch
Faint Indeterminacy
Mapping future imaginaries (Concentric Curriculum)
Introducing Our New Co-Directors
Farewelling Director, Channon Goodwin
Warumungu palanmirri Manu ngara apparr
Warumungu Warriors: A Story of Manu (Country)
Labyrinth
Tristan
There is no place for a rice cooker
Distilled Dissonance: the species known & other beings
The Community Reading Room
THEN AND NOW
All my Chameleon Signals
Without your mother
Supply Chain
Walking in the configuration of infinity
Notions of Care
Everything In Its Right Place (Radiohead)
Compassionate Grounds: Ten Years on in Tohoku
Apples
Conversation Piece
True Colours
pant and doorbell
thump
is wants wants
Marouflage
Joining my future: Art/Work, Inequality and Crisis
Three rooms
A Journey Around My Room
Retrieval
Disorganising
Bus Radio
Us
Future ourselves, scenes
To Me You’re Beautiful
That Which Was Once Familiar
Angel Exchange
Home to you
What Do We Do Now
Snake
Closet Archaeology
Call for (virtual) Proposals 2020
A Tribute to the Concrete Box (For Aunty Hyllus)
Crossroads / Titik Temu
Artist Residency Program 2020
2020 Program Forecast
We are eliminating the fee-to-exhibit model in 2020 through an exciting move to the Collingwood Arts Precinct!
Notions of Care for the Hobiennale
at HoBiennale
Dissecting a violin body
the corner of the drawer
Private Life
Matter of Course
Pictures & Words (Second Chapter)
OPEN CALL !
Printing Workshop
I will never run out of lies nor love
Something that happened but never took place
$490 pcm (utilities not included)
A Greater Level of Investment
7th Bus Projects Edition Exhibition
Studio Games
Objects for ruminant restraint
Mother
Bread and Butter
Some thoughts on cinema, dancing men
Drawn Together
A Brick in Mid-Air
Bodies of Work
Relics of Survival
Flirtacious Energy
RE-ARCHIVE
Bound together, you and me.
Curtains
how to read a beach
Popped Culture
KALKADOON
Hope the baby Jay gone that’s made it
Pictures & Words
The Cure: For as long as you need or as long as you can handle
Surface Creep
It goes without saying.
So Much Fun
All-in-One Solution for Glowing Fairness
Lean back, pass forward
Slow Rise / Burning Up
Watch and thee, absent another
The Grave Material
After L’Été
Measure of Biography
Negotiation 101
Queer Economies
A dense intimacy
Expansionism IV
Keep It Unreal
The Great Australian Dream
Cooled pride, roused ardour
Images are struggling in the corners of this room
Seeing is Forgetting
Ley lines
A smile forms into a grimace mid-slumber as the earth spins— it’s funny, such is the sound of laughter — it is like god’s hands on the shoulders of a troubled world
Wonderlust
Fumbling Calamities
Too Many Dinner Parties
6th Bus Projects Edition Exhibition
X/X
Island Island EOI
New Objectives
Lap of Honey
Lessons from Dancing
The Fairest Cape?
An account of a Coloured
flipped grip
The Conversation.
A Decadent Defecation
Instructional Drawings
A foreign fork in the cutlery drawer
Works
Creative Non-Fiction
What words can’t say
Bad Cushion
Paper Empire
Past Times
Nettie crotch
darkroom/The Assassination of Viviana Gallardo
I am a…
endless oceaning-image
Deep Time Receiver
Domestic Road Movies
We’ve only just begun
Girl from The North Country
being as becoming: liberating-art and/or liberating art
leave the key under the mat
WROL
The green sheen
A Loud Cellophane
Gymlazium
A dead mouse and a broken coffee machine
How’s it going in there?
Constellations
RIFE MACHINE
If Only You Were Lonely
A Moveable Priest
Common Scold
Yet Another Image
Talking to the back of your head
Coffee in the morgue
Good Start, Bon Départ
Feldspar
Tapping In
LOVE THY LABOUR
Troubling Language
Apartment in Sisli
Knot Not
What’s that Skippy?
Céline
In the End, at the Beginning
Tactile: I preferred books with pictures
Big Game Hunting
Departed, having found paradise
Untitled (Billboard #6 - OutRage!)
Ready To Ship
Perception Management
To return (and to leave again)
The Insufficient Photograph
Me they shall feel while I am able to stand
Everbloom: and an extract of rose
Cuttings
I walked forward to the west
The right eyes
nul
Making Zulma/Making Zulma/Feelings
Fieldcast
Take it back
Gregorian Sweepstakes
Systems of Living
NETWORKING
Roughing in, Fitting Out
Unseasonal Work
Grey
A Hole in the Head
Reminder
Begins to Collapse
Implicit/Explicit
Between Then and Now (and maybe tomorrow)
Spherical Bastards
Work at Work
Electric Light (facts/figures)
Mess package
Ambiguity (a number of drawings)
ETHER ANTENNA
Plus solids
Existing only in the Mind
If you saw me walk, would you assume I could run?
The Infra
EASY FOLD
Slow Patsy
Light Between Our Oceans
The frames that remain
For Huntz
to the end of the line (thanks)
The Beach II
Agnosia
Eyes of a Blue Dog
Contributions to a space - part two
Your work in my dreams
Ich Liebe Spaß (I love fun)
Fat Wedge
Cardboard Constructions
Bright Internal External
River ~ Prairie ~ Sunrise
LOCALS ONLY
Painting Mill
Crowd Theory
Sandra Punctuates
All Our Dreams Come True
Living Room
Rhythmic traces
Portal for Propositions: portalforpropositions.com
The 4th Bus Projects Editions Exhibition
Country Home Ideas
A summit wouldn’t do without you (training is the essence of transformation)
Come over
Attachment and Order (After You)
MIRRORS 1
Family Photos B
Transference
What it Is
the divided person
Signal
Once More
SILVER SHADOW
Paintings
More Jokes
Portrait
A gift means a gap between two people
For the time being
Site (re) Constructed
Make or Break
Entropy is Just a Lack of Storage Options
Wet eyed sissies
‘IDK IDC’
triple zero is just three empty holes
The image shadow The shadow general
the scribe notes, slight
Body Information Workshops
Tanagras Archive
Atmography
Catacoustics II
Ground: Here and looking down
Two Souls Speakers
Sold Exclusively Through Woolworths
A Manner of Articulation
Mirrored Hardware
Something immeasurably better
ME N’ U
Between the sky and the ground II
Keeping Up
My father was a rock star
Multidwelling
Angled Regard
Sticky Plaster In The Gene Pool
Understudy
Malleable Scenario
Lightweight Heavy
In the Stadium (the 14 categories)
Inertia
Self Portrait as OkCupid Questionnaire
It’s hard to hear the distance between the wind and waves breaking
Support
Creating False Memories for a Place That Never Was
GINA
Low Hanging Fruit
Um…titled
Back soon x
The World is Flat
Parenting is Political
Spooky Action at a Distance
An Attempt to Harmonise
Actions for Sensory Disruption
Romance in the Suburbs
Preyada Apiwattanatam
Provincial Living
This, That, Here, There, Yes, No, Maybe
Cathedral
DEEP
Smoke Follows Beauty
Language acquisition; learning through conversations
Special Affect
Was Inside Everything
Transmission
A Lot of Luck
Great America
Glass Shoebox
Ground
Undoing
It’s My Birthday and I’ll Cry if I Want to
Lack
Lose the Language
MACHINES FOR DISAPPEARING
Kraken: sixty six emails, a face and a gesture
Primal Site
Bitter Dispatches
It Spoke, I Listened
Sweets to the Sweet
To not believe in the divine, yet always aspire to reach it
Put Up a Signal
THANK YOU VERY MUCH
Body Language (Getting Lost in Translation)
Last Show At Bus For Now
A State Of Being
Feast
South Project: Melbourne Reflection
Indefinite Remnants
Array
5th Annual ACSO Art Show
Insiders and Outsiders: an everyday tale of a domestic veneer
Structure Pattern
Siren
Second Nature
Thing
Lipstick ON/OFF
Ecstatic Shadow
Before
The Rise and Fall
KOMPILASI: A Survey of Contemporary Indonesian Art
Skin and Bones
Space Invasion
OUT OF SPACE
Making Sense
Empyrean
Backdrop
Endgame
Exterminate
I eat memories
Room To Live Again
The Reconstruction Project
Workstation
Alone Together
Ferris Wheel
Over & Out
Such Is Life In The Tropics
Horrorizon
Live Forever
The Artist
The Matryoshka Principle
Affective Urbanism
Batmania
On Display
Beyond The Window
Thousand Can Show
Skin & Bones 08
Violence Sentimenta
Two Tin Cans and A Piece Of String
Captured Noise
The Museum of Lost Worlds Presents: Passports from Forgotten Realms
Buff vs The Queen
Light As Object
History Set This Trap
Love Conquers F*ck All
Conversation
Terrorium
Skin and Bones: Bus ‘07 Fashion and Costume Show
Champion
Schematics For Living
Machine of Joy
100k Reka
This is the Thing I Thought Would Never Come
Jellybean Lab: Order and Caprice
Propagating Fictions
Liquid Light
A Game of Marbles
Weapons of Choice: Happiness is a warm Gun
Essendon Keilor College YR 12 Art Show
Bad Apples
Repeat Seduction
Re:Thinking
The Things You Do For Love
Schwarzwald Revisited
Damage Joy
Gradient Globes
Double Platypus Kill Kill
Rod Cooper
Luke Adams
Mark Misic
Project Room
Retrospective 2000–2004
Darren Gunstone and Emma Kuetgens-Fitzpatrick
Passenger
Abandoned Plaything II
Proposition (meets the unfathomable - bergwerk 5)
MOP BUS
Stigmata
Frou Frou
What is Music? Festival Club
Project Beauty Perceptions Dialogue Design
Arbitrary Interrupt
US AT BUS
You Go First
Spatial Condoms Premature Evacuations
The Pickin’ Patch
I Am The President Of Capitalists Inc.
The Regular Occurrence of Shifting Water as Moved by Force
SOUND FORUM 02: SOUND INSTALLATION
Oven-Garde
SECTION 5 Blue Lotus
Inverted Topology
RICHARD GRIGG
Camera Head
Light Trap
Studio
(car) series
Some Devil Between Us
Brad Bardon
Linda van Kalleveen
FRESH
Departures 2001
Bus Projects farewells Co-Directors, Nina Mulhall and Jacina Leong
Engages
UpcomingCurrently
Archive

Opening celebration Wednesday 16 July 6-9pm.
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Opening celebration Wednesday 2 July 6-9pm.
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Join us for Naarm’s iteration of compost: compose workshop at Bus Projects on Saturday 22nd March at 2pm.
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Rejuvenate your body and mind with MEga Yoga’s counter narrative yoga class.
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Accompanying Kiera Brew Kurec’s project Archiving the Temporal: Emanate, Bus Projects will be hosting a public program incorporating three panel discussions with esteemed Australian and International performance practitioners, academics and historians over the month of April. The discussions encompass ritual as a basis for performance making, ethical reinterpretation/re-performance, and methodologies in performance archiving. These talks are facilitated by Kiera Brew Kurec, generously hosted by Bus Projects and supported by the City of Yarra.
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Archiving the Temporal: Emanate was an intimate performance exploring the possibilities of preserving and archiving performance practice beyond photographic and video documentation. Using ritual as a framework for preservation, Archiving the Temporal: Emanate asks the audience to become custodians of the performance, then to pass on the performance beyond its original viewing and out into the wider community. The performance will be accompanied by a series of online discussions which have been generously supported by the City of Yarra small project grants.
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Please join us for the publication launch of ‘SAFE: Rearranging the Library’ as part of the Melbourne Art Book Fair
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We are excited to announce the upcoming Bus Projects 2021 Online Fundraiser. Join us, Tuesday 16th November, 6–8pm, on Instagram to purchase original artworks by our community of artists!
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Means, of Production is an experiment in building open-source software in an open dialog with a group of artists, in order to try and expand the idea of how artworks can live and evolve in the peer-to-peer space. It is a collaborative project between Bus Projects, Public Officeand six Melbourne-based artists. Funded as a result of Covid-19, initially the ideas sprung from an obvious lack of tools for making art works solely for an ephemeral, digital space. That’s what we hope to shift through this process.
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Bus Projects is excited to stock un Magazine, 15.1: SURPLUS, edited by Snack Syndicate (Astrid Lorange + Andrew Brooks).
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Presented as part of Walking in the configuration of infinity, Join members of RMIT’s research group, the non/fictionLab, for a series of participatory events on writing walking.
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Melody and Sandra discuss their project Walking in the configuration of infinity, which combined a series of Walkshops presented by members of nonfictionLab, a walking lecture and performance by Alice Cummins,and the inaugural Reading Room presentation at Bus.
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To coincide with the first iteration of ‘Compassionate Grounds: Ten Years on in Tohoku’, curator Emily Wakeling will give a curatorial talk on the project on Saturday 8th May from 2pm.
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“…the rhythm of walking took the song into the body. Through the body, song became dance, which in turn became ceremony.” Songlines, Margo Neale and Lynne Kelly.
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Presented at Sylvia Staehli Theatre, Dancehouse, That Which Was Once Familiar (TWWOF) investigates how culture inscribes gender and sexuality onto the flesh sacks we walk around in… our bodies.
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Please join us at Bus Projects this Saturday 10th April, 3.30-5.30pm, for the ‘True Colours’ catalogue launch. There will be performances by En.V, Fimo, and a secret guest.
Alongside a community feast, ‘For The Love of Leftovers’, the epilogue to F.O.C.U.S. In the interest of keeping a waste-free practice, Alisa Tanaka-King will be cooking up the leftover ingredients from F.O.C.U.S and will be hosting an open event for the local community, promoting sustainability and communal eating. All are welcome!
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‘Three Retracings’ is a sound publication that explores a process of returning, retracing and re-listening in urban space. Recorded periodically across three and a half years in Narrm Melbourne, Kaifeng and Suzhou; nine compositions form a set of sonic relations between neighbourhoods undergoing urban transformation in Australia and China. Placing three accumulative listenings in conversation across these contexts, the publication interrogates the contentious role of the field recordist as an itinerant documenter, archive-maker, visitor and tourist.
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OUT OF BOUNDS is a series of performances and conversations with Australian artists that navigates the intricacies of their art practice, the way they have adapted to the world in isolation and their reflections on the emerging art world right now.
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c/o Studios discuss and explore hidden narratives surrounding materials and objects within contemporary art practices.
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Darcey Bella Arnold’s practice considers the artists’ close and unique relationship with her mother, Jennifer. Jennifer has an acquired brain injury, which has altered her use of language.
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Clementine Edwards’ new film whiteness is a preliminary sketch about the white everyday.
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Join us for a virtual lecture by Siona Wilson to mark the screening of Women of the Rhondda as part of the Bodies of Work film series curated by Benison Kilby.
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Concentric Curriculum is an artist-led parallel-school program embracing non-institutional, self-organised approaches to education and made in collaboration with local communities. This program enables artists and arts professionals to become creative collaborators and co-producers with diverse communities, resulting in long-term collaborations and sustained knowledge sharing.
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Bus TV is our platform that will present intermittent televisual broadcasts throughout the COVID-19 lockdown and beyond!
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(Re)imagining Indigenous futures: an education program towards revolution is a project by Kei Te Pai Press.
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‘Field Notes from Care Workers’ is a series of encounters between human and more-than-human beings who consider care as a part of their work. Broadcasted live weekly on Bus Radio.
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Born from interviews with close friends about vulnerability, ‘Ourselves’ explores the risk perceived in baring oneself and the value of support in constructing autonomous and unfiltered spaces. Presented on Bus TB on Wednesday 2 September, 7pm
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Three Possibilities Walk Into A Bar (TONIGHT reprise) is a music video for a performance text. This text first appeared in a 2019 choreographic work called TONIGHT.
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Join Oonagh and Megan as they dive into the depths of lack, missing and yearning for swimming.
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Lower Moonee Ponds Creek Tributary Project is an audio work that investigates the redirected, hidden and remnant creek tributaries of inner northwest Melbourne.
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For Bus TV, Loew and Dunlop share a new work that is the consequence of a set of exchanges occurring over spring 2020. A series of videos form an intimate conversation about distance, isolation, depression and the consequences of stopping by choice and by necessity.
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Abyss Lessons is a five part curriculum, exploring, through geologic and hydrologic states, our human and other-than-human entanglements through depth as a measure of being.
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‘Casual Stain’ is a radio play based on Aaron Billings’ own experience working at a multi-national retail & homewares store as the Pandemic hit. Released Fortnightly on Thursday evening at 7pm. The next episode will air on Thursday 23 July.
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Living Room is a series of short films by visual artist Nina Sanadze. Each film presents a portrait of a Melbourne artist captured in their home studio and sometimes at their job too.
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Bus Projects and Jacina Leong invite you to submit an expression of interest for this free, four-part workshop will take place via Zoom, facilitated by artist-curator, Jacina Leong.
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Fenton’s Feast is a podcast exploring food, stories, and community created by Alisa Tanaka King.
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Eleanor Duffin (born Wexford, Ireland, currently lives and works in Bristol, UK) is a visual artist whose works are predominantly sculptural in nature. She employs a process of speculative questioning that draws influence from varied disparate ideas and anecdotes within anthropology, literature, physics and art history. She is interested in things that have a sense of self conscious autonomy and the potential to be generative agents.
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Nick System delivers a 3 hour introductory workshop into Pure Data for Interactivity and Sound Art.****
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Intermittent televisual broadcasts throughout the COVID-19 lockdown and beyond!
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Queer(y)ing Creative Practice will be a monthly show on Bus Radio. Each month a new topic will be discussed between Zoë Bastin and guests.
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A bedtime show hosted by Anatol Pitt from 10pm every Thursday on Bus Radio.
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Gertrude Talks is weekly discussion series produced in partnership with Gertrude Contemporary. Each week a new theme will be unpacked by host Georgia Banks with past and present Gertrude studio artists.
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Join Wiradjuri poet Jazz Money every week as she chooses a different poet to read live.
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Caring for the Ecology is a show on Bus Radio that amplifies important conversation about the collaborative, collectivist and organisational structures that impact the way we work as arts workers and cultural producers.
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Join us each Wednesday at 1pm on Bus Radio for 𝐈𝐧𝐭𝐞𝐫𝐜𝐨𝐦, a series of discussions with artists from our program.
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Terrestrial Sounds is a program of audio commissions produced by artists around near and far during the COVID-19 lockdown.
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‘Dissemination is a lens’ features an eclectic mix of upbeat music and positive sounds selected by our nearest and dearest.
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A music show presenting a mix of politically inclined tracks across all genres to help you through the day. Enjoy mixes by the Bus team as well as guest programmers during the COVID-19 lockdown.
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Departed Acts is a performance-lecture series that invites Victorian artists, writers and curators to recall the experience of a pivotal exhibition or artwork that has influenced their practice.
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Hosting a dinner online is a socially-engaged event that aims to create a sense of community through sharing food.
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‘Collective-Kolektif’ hosts Indonesian collectives including KUNCI Cultural Studies Center, Ace House, OMNI space, Ruang MES 56, and ruangrupa; alongside Melbourne-based groups Her Africa Is Real, Hyphenated Projects, eleven-collective, and Sound School, with more to be announced.
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Archie Barry will present a thread of curated readings from their diary entries written between 1999 and 2019, laced together with excerpts of affect theory, linguistics and existential philosophy. Polyvocal and correlative, the presentation searches for ramified language that could function (or dysfunction) to touch the perpetual flux of personhood.
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MUSIK BOX is an ongoing series of experimental music concerts featuring emerging and established artists and musicians. The upcoming concert features electronic music.
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Please join us on Saturday 30 November from 2 - 4pm for ‘The Design Plot’. This will be the final event at Bus Projects’ current Rokeby st site. ‘The Design Plot’ is helping us say goodbye to our site that we have occupied since 2013 before we move into our new site at CAP in 2020.
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